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kvetchlandia: William Klein     Jean-Luc Godard     1960 “During our interview, Godard referred to the New Wave not only as ‘liberating’ but also as ‘conservative.’  On the one hand, he and his friends saw themselves as a resistance movement against ‘the occupation of the cinema by people who had no business there.’  On the other, this movement had been born in a museum, the Cinémathèque: Godard and his peers were steeping themselves in a cinematic tradition — that of silent films — that had disappeared almost everywhere else.  Thus, from the beginning, Godard saw the cinema as a lost paradise that had to be reclaimed.” —From and Interview with Jean-Luc Godard by Richard Brody, “The New Yorker”  2000

kvetchlandia:

William Klein     Jean-Luc Godard     1960

“During our interview, Godard referred

to the New Wave not only as ‘liberating’ but also as

‘conservative.’  On the one hand, he and his friends saw

themselves as a resistance movement against ‘the occupation of the

cinema by people who had no business there.’  On the other, this

movement had been born in a museum, the Cinémathèque: Godard and his

peers were steeping themselves in a cinematic tradition — that of

silent films — that had disappeared almost everywhere else. 

Thus, from the beginning, Godard saw the cinema as a lost paradise that

had to be reclaimed.”

—From and Interview with Jean-Luc Godard by Richard Brody, “The New Yorker”  2000

(via workman)

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